The ever-prolific Brian Jonestown Massacre takes a detour onto the Which label for a six-song, half-hour affair that stands in stark contrast to their usual sprawling opuses.
The sound of Bringing It All Back Home Again is comparable to that of their previous Thank God for Mental Illness - mostly acoustic and country-tinged, reminiscent (as the title suggests) of the period when Bob Dylan was making the transition from acoustic to electric material, as well as the sort of country shuffles that popped up on some Rolling Stones records.